1. Learn how to breathe.
2. Yes, warming up IS important.
Warming up is essential to
both fitness fans and musicians (as are stretches!).
We’ve all heard stories about people who go too hard at the gym and end up hurting themselves because they lacked a good and proper warm up. The same risk exists for musicians. Maybe some people can get away with doing some exercises without a warm up, but there always seems to be a negative consequence. Every trainer and musician has their own opinion of what a “proper” warm up is. I had a professor tell me about his teacher who said if he hadn’t practiced all of the scales before noon, there was no point in getting his instrument out. Whatever warm up you choose, make sure it involves stretching. Maybe you stretch before you warm up! Don’t cop out of warm ups. Your body will thank you later.
A look inside Boston Symphony Orchestra's brass section warm up. Hilarious.
Running in rhythm Members
of I-75 Jazz Ensemble with Chris
Buzzelli, Roger Schupp, David Bixler, and Jeff
Halsey
4. Too much pain? Find another solution.
Alternatives to the push up |
Two different interpretations of the Brahms FAE Sonata
5. If you don’t know how to do something, ask.
A trainer with their client Itzhak Perlman with a student
Sometimes in our workout/practice sessions, we come to a spot where we don’t know what to do. Puzzled, we ask ourselves, “How do I...?”, “What do I...?”, “Maybe if I…” because we just don’t know what to do! Maybe it’s a piece of exercise equipment, or maybe it’s a difficult passage. We can try it out, but we don’t really KNOW if we are doing it correctly. Ask someone how to do it and what its purpose is. People generally like helping each other. If you’re a trainer, teacher or maybe you’re just a bystander or the kid in the next practice room, try to have a pleasant attitude and be supportive. Someone’s asking you to explain something unknown to them. Introduce it kindly.
6. Practice in front of a mirror.
Young flutist Kim Lewis checks her embouchure.
Looking in a mirror doesn’t have to be about vanity or egotism. It’s practical. Gyms and practice rooms alike have mirrors for its users. In the practice room, I generally saw people scrutinizing every movement of their lips or fingers, checking the positioning of their instrument and the positioning of their bodies and feet. At the gym, many people avoid the mirrors, but it’s important to check that we aren’t doing any extra movements unconsciously. Don’t worry about the girls trying to make their messy buns even messier or the bros who like to look at themselves flex. You know you’re doing your best, and with the mirror there to help you, you’re already a step ahead and gaining confidence.
Mickey
Mantle and his injury
David Vining and his book What Every
Trombonist Needs to Know about the Body
Like a young baseball player admires athletes like Mickey Mantle who recovered from serious physical injuries, musicians have the same heroes. David Vining is a professional trombonist who overcame embouchure dystonia, which makes the muscles in the jaw and lips involuntarily contract, making it impossible for him to play his trombone at the time. He is currently still playing and teaching the trombone and has also written several helpful books for those who may be having similar struggles. In fitness and music, it’s incredibly easy to become discouraged. BUT, just remember one of the reasons we even do what we do, whether it’s playing soccer for a church team, working on our BOSU®, singing opera, or playing the tuba, is that we understand there is always a potential to get better at something we enjoy. And we bravely take that risk.
Janice Martin, Aerial Violinist
Have a fitness tip? We'd love to hear more tips you have to offer! Leave a comment or email melaniesmith62699@gmail.com.
This entry was contributed by Shannon Bolen, a Public Relations and Marketing intern at Hedstrom - Ball, Bounce and Sport. She recently graduated from Bowling Green State University in music education and currently listens to Matt and Kim in her car.